Encyclopedia of TV Shows 1925-2007 (2024)

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Prior to the 1950s Hollywood films routinely disappeared from view on completion of their cinema release. From the mid 1930s to the mid 1950s, however, many films enjoyed a remarkable afterlife courtesy of audio adaptations on US radio. While Lux Radio Theatre, the premier and most high-profile example, has been much discussed in historical work on broadcasting and cinema, this essay reveals that the movie adaptation series was a much more extensive and significant radio genre – which includes such rarely discussed series as Academy Award, Hollywood Star Time, Old Gold Comedy Theatre, Theatre of Romance and Screen Director’s Playhouse. Drawing on a wide array of secondary materials and primary sources – including newspapers, fan magazines, and entertainment and advertising trade journals – the essay explores the significance of this prolific radio genre as a site of negotiation between the broadcasting and cinema industries as they vied for domination of mainstream entertainment. It examines the collaboration and competition between diverse interests groups within these industries – including broadcasting networks and advertising agencies, film production companies, exhibitors and movie stars – as they sought to capitalize on the emerging synergies between radio and cinema. As a programming concept the movie adaptation series provides fascinating insights into the developing liaisons between two predominant popular media of the pre-television era, emerging as perhaps the signature genre of network radio’s Hollywood era.

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Alan Bisbort Media scandals Greenwood Press (2008)

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Encyclopedia of TV Shows 1925-2007 (2024)

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